

I arrived at my first Oshkosh visit alone on Wednesday sometime before noon, wandering through the main gate, suddenly confronted all at once with Spaceship One, a row of Reno warbird racers, the new Texan II Air Force trainer, and a Dornier flying boat upgraded with turboprops sitting atop its immense parasol wing. I was shocked to see a Ford Tri-Motor levitate off the runway in the Distance. This was nothing I had ever witnessed before.
Not 6 hours later I was a jaded veteran. I found myself standing in front of the ticket booth where you could buy a ride on that very same Tri-Motor for a mere 45 bucks. Nothing impressed my any more in my overstimulated state, and I thought, "Nah.", and kept walking towards a sparkling row of Beech T-34's.
I only had a rough idea where the Falcos were. I was looking for something wooden in a sea of fiberglass and aluminum. I was enjoying being lost anyway, and the homebuilt ghetto is a nice place to get lost. I passed row after row of Vari-EZ's plowing the turf. Through a clutter or Thorps, Glasairs and Lancairs, I saw just a fragment of that Frati curve of the fin and immediately my brain said "Falco". When you've obsessed over a thing, lived with it, it becomes hardwired in your visual cortex. Like a loved one, you need only to see a tiny bit to recognize them.
What is it about the Italians? They manage to make machines look so balanced and perfect, and the details, the tips and tails are no less important than any other part. That Falco motif, the soft into hard curve lives in the fin, the stab, the wingtip, all speak the same language- even the canopy answers back. It has the same magic as the rear end of any Pininfarina Ferrari. I often look at the Falco and it says to me "Airplane", like I would expect to open the encyclopedia and see a drawing of it. But it could hardly be called generic. Frati makes it look easy, but it must be awfully hard. I see something like the new Air Force trainer, the Texan II, and it baffles me how in one way it can be so perfect- the overall proportions, the wing planform, the T-34 fin shape. It has an aggressive, military air, so industrial and contemporary. They're off and running, then they blow it all with that humpback. I like the idea of the humpback, but that thing is like John Wayne saddled on a Shetland pony. I like vehicles that look like the engineers had a leash that got a little too long, but just a little bit of tweaking would make that Texan II a badass new classic.

Over the two days I was there, I seemed to hang out more with Alfred Scott than with anyone else, which was fine with me since he told hilarious stories and jokes all day. On the last night I was there, he hosted the Falco builder's dinner, I asked Alfred how he came across the Falco, how did he come to the decision to make a kit out of it. He tried warning us that it was a long and not very interesting story. He did tell the tale, and it was long, but hardly boring as he claimed. I especially liked the part about the first time he saw an SF.260 sometime in the 1970s, "I had no idea there could be such an airplane! Something that was that sexy." I think the word for him is not simply obsessive, which he certainly is, but also thorough. There's a completeness to the way he tackles a project. It's one thing to get excited about an airplane, but something else entirely to understand every part, every system and component on the aircraft, to have drawn it, and by the way, turn himself into an expert draftsman on the way there. the whole shabang seems pretty damn fresh to me. Unless you're talking about people fabricating Pitts' and Cubs for themselves, one else seems to have done what he did- to take an existing aircraft design and make a kit out of it. Now 25-odd years later, he never has built a Falco, and I think I understand why- he doesn't need to. He completely consumed every part of the airplane with his mind and recreated it again, and that is more than enough. He has built it thousands of times in his mind. He is obviously content to let others build a real object out of the Falco universe that lives in his head. He thought that, looking back now, it was a very wise decision, but he made up his mind right from the beginning, "that I was always going get along with Frati, no matter what."
Alfred noted he doesn't come to Oshkosh more than once every five years or so. He sold his own Falco a few years ago, but he's not completely done with airplanes. He still had enough of the little kid in him to make sure he didn't miss a freshly restored Spitfire zipping around the sky. He certainly must have been proud on this particular visit. I'd wager it's the largest group of kit-built Falcos ever assembled in one spot, and every one of them looked good. Every single one. The judges thought so too: Doug Henson won Grand Champion: Plans Built, Dan Dorr won Reserve Grand Champion: Plans Built, and Duane Root and Bob Brantley both won Bronze Lindys.

Given the opportunity to sit in several Falcos, it was a shocker to discover how I fit so poorly under Jim Petty's standard canopy. With my head bumping the plexiglas, I suddenly wondered if I was building the wrong airplane. Then I strolled over to Duane Root's Falco. With his blessing, I settled into the seat and skeptically pulled his Nustrini canopy over my head. I was pleasantly surprised to find plenty of headroom. How come? Not exactly sure, but Jims cushions were thicker, whereas Duane raised his Nustrini canopy, lowered his seat tracks, and had thinner cushions. I think also a hidden benefit of the Nustrini canopy is that high point of the curve is further aft, which is where my head ends up. I was surprised that every single builder had just used the stock seat frames. Not a single builder I talked to tried changing the seat frames at all so that they would recline. I have hope for either version, whatever I decide.
Returning home after a two-hour layover at O'Hare, I resolved to fly myself to Oshkosh the next time I go. I opened the door to the garage, turned on the lights and walked up to my measly rudder sitting in the jig. It wasn't easy to dig in after seeing all those completed airplanes. I pried open the Resorcinol, mixed up a little batch, and glued up the tip bows for the stabilizer. That Falco motif was making its way into the world one more time, and not the last time, I'm sure.